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When it concerns becoming a terrific jazz improviser, it's all about finding out jazz language. So unlike the 'half-step below technique' (which can be outside the scale), when approaching from above it sounds better when you keep your notes within the scale that you remain in. That's why it's called the 'chord range over' approach - it stays in the scale.<br><br>If you're playing in C dorian range, the wrong notes (missing notes) will be C# E F# G # B (or the notes of E significant pentatonic scale). Half-step listed below - chord range over - target note (e.g. C# - E - D). In this write-up I'll show you 6 improvisation strategies for jazz piano (or any tool).<br><br>For  [https://www.protopage.com/soltos5lsq Bookmarks] this to work, it needs to be the next note up within the scale that the music is in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any type of note length (half note, quarter note, eighth note) - yet when soloing, it's typically applied to eighth notes.<br><br>It's great for these units to find out of scale, as long as they end up settling to the 'target note' - which will typically be one of the chord tones. The 'chord range over' approach - precede any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 equally spaced notes in the room of two.<br><br>Currently you could play this 5 note scale (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this technique you just play the same notes that you're currently playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).<br><br>KEEP IN MIND: You additionally obtain a good collection of actions to play, from 7 - 1 - 9 - 3 - if you intend to play a brief range in your solo. However, to quit your having fun from sounding predictable (and break out of 8th note pattern), you need to vary the rhythms once in a while.